Urban Art and the Collapse of Hyperrealism

There exists a generation of artists who as studentsportrayal of Barack Obama in "Black Christ". Other
were continually bombarded with the rhetoric ofproponents of urban, street and graffiti art worth a
French philosophers and conceptualists from the 1970smention are Jef Aerosol, who's art is very much akin
and 1980s. There was a lot of talk of signifiers and theto the early work of Banksy. D*Face who has a
nature of a surface reality, even the implosion ofpassion for skulls, deeming to deface (hence the
meaning. This was at a time when Urban Art wasname) a series of cultural icons including Disney
almost in its infancy, and wouldn't receive seriouscharacters and Marilyn Monroe with 19th century
criticism let alone praise for at least another decade.illustrated skulls. FAKE, famous for his hummingbird
Living in a vibrant artistic community I have found thatspray can and part of E. London's Wonderland
many artists who would describe their work as "urban"Collective. Sickboy who creates iconic Indian temples in
in influence share a similar opinion towards the changeprint and vinyl in the corporate colours of the
in direction for both creatives and art consumers.McDonald's fast food franchise. Luke Insect who's
One local artist is quoted as stating "In my final year atwork leans towards a more traditional genre, surrealist
university I was told by the head of my course, whichpainting and figurative study. C215 who also leans
focused primarily on conceptual art, to ignore thetowards figurative study and has a unique style akin to
opinions of an uninformed public, a public who hadthe "digital maps" offered by vector software,
taken the time to come and see a small exhibitiondeconstructing forms into abstract shapes. Sweet
featuring my and my fellow students' artwork.Toof known for his large lipped, smiling grotesques
As the years passed by it has become apparent towhich are commonly seen dotted around London.
me that I, as I am sure many many generations beforeUrban art has indeed itself managed, through the
mine, have experienced a collapse in faith. Not of aorigins of its environment and process begun to
spiritual bent, but one steered by the tenets ofdismantle the efficacy of the notion of hyperrealism.
perception and the contrivance of objectivity, which in itThe surface is now untrustworthy, its appeal is tainted
self is a subjective choice."by the collective conscious' memory of past failures,
Urban arts has brought the fine arts market to thedisappointments and to a degree lies.
attention of a whole new audience, primarily younger,Suspicion, be it of governance, the financiers, or
city-based, many being of a creative bent themselves.celebrity endorsement, historical truth, the equitability of
The phenomenon of trading art between urban artistsconsumerism or capitalism, and even the proliferation
is just one cited example of a classless and moreof truth itself has left the public with an ever deepening
liberal artistic "economy". I use that word cautiouslysuspicion of almost all things manifest. Be it the nature
however as this cultural practice refers as much to theof power or the true cost of never ending urban
place and position of art in society as much asexpansion and over population, to more existential
monetary value. Much of urban art originating from thematters such as the essence of existence and the
streets, made by the people for the people, with nonature of being. This questions jar the mindset of a
social, economic or political leverage involved.generation of potential "managers" of society, their
For those who need more clarification of the essencetradition mouthpiece the media has been stunted by
of urban art, the term "urban" essentially refers to "thethe explosion in user contributed video reportage and
city" and all the cultural and physical references thatthe power of social networking to proliferate opinion.
living within it entails. However the truth is that as urbanThe advertising executives, Hollywood, corporate
art has risen in the public consciousness it has come toheads and governmental leaders have all done their
represent far more than mere city life, the scope ofbest to incorporate this "outsider" philosophy, the
imagery in this most contemporary of genres mayacceptance of disenfranchisement, at least to a
have evolved from literal urban environments, graffitidegree, and a more muted presentation of factual
style tagging, and socially progressive slogans but hassubstance rather than a glossy and fabricated
duly evolved in complexity into something far morehyperreal montage of exaggeration blended with
surreal, and in some aspects iconographicallyoutright fantasy. For instance laws have been
metaphysical.introduced to reduce the amount of airbrushing
Banksy is no doubt the most famous proponent forinvolved in the fashion and beauty media, a response
urbanism within the arts, his iconic imagery having beento everything from marked relationship between their
seen on the streets of cities across the globe, hisproducts and the rise in bulimia and anorexia within
antics within the arts system such as hanging works inteenagers. As the economy collapses more and more
national galleries and painting tranquil landscapes alongadvertising and indeed corporate branding in general
Israeli/Palestinian border defenses have brought himhas learned to downplay the lives of the rich and
much attention. Yet in the present day, with at least afamous, an impossible perfection of beauty, a
decade of solid public recognition behind it, the urbanfantastical landscape, or product that by implication has
arts movement, if it can be named as such has sincealmost mystical properties, and instead had to deal
extended in all manner of styles, purposes, mediumswith the ugly truth.
and messages.This is in essence why Urban Art, including graffiti,
There are those such as Shepard Fairey of OBEYstreet art, and modern day illustration, painting and print,
who have distinctly built a following with sentimentsand to some degree 3d art, has literally unravelled the
more akin to the Arts and Crafts movement of the"futorologisms" of a once artistic elite. The art market
late C19th and early C20th. Elaborate woodcut-stylehas been slain by recent economic disasters, those
prints, ornately bordered, simply high contrasting, thicklywho have purchased contemporary art at the height
outlined images that serve as much as highly emotiveof the market have lost fortunes to the downturn in
interior design as they do political gesture.demand. Leaving the urban artist community's ethics
With no doubt the advancement of social networkingintact. They are working, within and for society, to
and arts representation online, more and more artistschange society. They are, for the main part, not the
are beginning to challenge the assumptions of bothtoast of high society, but rather an integral part of it,
what exactly urban art is and what it can represent.working more effectively than any politician to
One of the later arrivals in the urban arts scene is Pauldisseminate public opinion on a wide variety of pressing
Baines. Tending to "target" media celebrities, politicalmatters, in a more novel, more creative, more
leaders, and corporations, infamously known for hischallenging way than ever thought possible.